15 of our best cat posters made before the internet
Two lovely posters for Galerie Negru in Paris with the Magritte insignia.
Found this beauty today in our archives. Notice the date Conservation Week August 3-11 1974.
The piece is by the well-known Austrian artist and activist -Friedensreich Hundertwasser - who created the most intriguing detailed paintings that often had an environmental message.
Today Andy Warhol would have turned 86. We enjoy celebrating all things Warholian here at the Poster Museum and are lucky to be able to look at his posters daily! The following are some of our favorites:
This silk screen is a poster he made for the Brillo exhibition at Pasadena Art Museum in 1970. It measures 26 x 30 inches and is $800.
During the 1980’s Andy created a series of screen prints called Avs which included exquisite portraits of colorful Chanel No. 5 bottles. They were included in an edition of 190 and at the time fetched between $25,000 and $100,000. Chanel liked what he did and asked him to create something similar to put on the street for their next campaign. However, due to his sad and sudden death in 1987 the posters were not released until 1990 with authorization from the Warhol foundation. The following posters are the result of this collaboration and are currently available to view at the gallery. Come and take a peek sometime :)
To commemorate those tragic events in Hiroshima almost 70 years ago we have three very different posters.
Nouvelle Vague film maker Alain Resnais’ dramatic love story, Hiroshima Mon Amour, simultaneously captures and enmeshes the tragedies of one city and a love affair. Hiroshima Mon Amour’s initial intention along with Argos films was to create a film about the atomic bombings towards the end of WWII. It’s prerogative was to create a “true” represenation of the Hiroshima bombings, it portrays, therefore, a political stance that is deeply anti-nuclear and anti-war. The film weaves past and present, documentary and fiction into nonlinear narrative creating a visual experience akin to a stream of consciousness.
An anti-nuclear poster for a rally against nuclear power in Hauppauge, NY
An exhibition in France on nuclear energy, 1955
To commemorate the centenary year of WWI we have selected 8 posters which depict the US government’s recruitment strategy. These original posters present a real glimpse of how the great war was presented to American civilians - they are truly unique artifacts as they allow us to experience what they were confronted with and spoke about in an era before television and the internet.
Today the exhibition The Paris of Toulouse-Lautrec: Prints and Posters opens at MoMA. This is a very special event as it is the first time in 30 years that MoMA has devoted an exhibition solely to Lautrec. It features their extensive collection of more than 100 exquisite printed ephemera, posters, lithographs and printed books made at the height of his career.
Henri de Toulouse-Lautrec (`864 - 1901) is well known for his depictions of Parisian life and for bringing the avant-garde of the late 19th century to the broader public through his famous posters and illustrations. Today he is seen as one of the most important figures in poster art and art history.
The Paris of Toulouse-Lautrec focuses on specific facets of his work and life in France, such as entertainment and nightlife and the famous singers and actresses who made venues, like The Moulin Rouge, so spectacular. Another will focus on his Elles series which sensitively portrays brothel life in Paris at the time. These images capture prostitutes outside working hours, in private moments of quiet contemplation. These women, whom he portrayed with such affection, came to be his great muses.
In France, 1990, a limited edition reissue was made of Lautrec’s Elles series. The set of 11 lithographs are printed in the highest quality and are available at Philip Williams Posters, individually and as a full set.
The Seated Clowness, $600. This sheet features the contortionist dancer Miss Cha-U-Kao (a phonetic play on chahut-chaos or chaotic can-can) in a strong and provocative pose.
Woman Washing herself, $450
Lounging Woman, $300
Morning Conversation, $450
Woman Before Mirror, $450
Woman with Corset, $450
Woman Combing her Hair, $300
Woman Reclining - Waking-up, $300
Woman with Pitcher, $450
The Poster Museum recommends Italian Futurism 1909-1944: Reconstructing the Universe on now until September 1st at The Guggenheim, NYC.
Futurism was an artistic and social movement that originated in the early 20th Century. The artworks created under Futurism predominately portray the symbols of modernity - speed, bustling big cities and the acceleration of industry - it was a movement committed to the possibility of the future. To be a Futurist meant to subscribe to a philosophy that drew on stereotypically masculine traits, such as stoicism, strength and assertion. Although the movement was criticized for being misogynous and anti-women, it was not quite that at all as there happened to be many female Futurists. Rather, Futurism was against qualities attributed to the idea of femininity, as in nature and harmony. It also rebelled against good-taste and was fundamentally anti-nostalgia. The goal of Futurism was not to draw on aspects of history but to reconstruct a brand new world and therefore a brand new art form that put at its centre the project of war and speed.
The creator of this poster, Marcello Nizzoli (1887 - 1969) was devoted to the goals and philosophies of Futurism. It is one of my favorite posters in the collection at The Poster Museum precisely for the part it plays in the history of Italian Futurism. Nizolli was an artist as well as an industrial and graphic designer who was particularly influenced by the Italian Futurist, Fortunato Depero, who designed the 1932 Campari Soda bottle and created covers for magazines such as Vogue and The New Yorker. This poster, made by Nizolli, for Campari cordial is a wonderful example of Italian still-life painting in art deco style. Each element is perfectly composed, the Campari bottle appearing larger than life in relation to the surrounding objects.
On the 45th anniversary of the Apollo moon landing we have carefully selected some of our best posters that reveal the mystery, wonder and reverie our great luna has inspired over the last century and longer.
George Melies Trip to the Moon is considered to be the first film every made in the science fiction genre. Shot in1902, the French silent film follows a group of astronomers into outer space who crash land their capsule in the moon’s eye. The film is UNESCO world heritage listed, a masterpiece of its time and one of my personal favorites. This film poster is dated from the year of the films release and would have been viewed on a Mutoscope, an early motion picture device that is coin operated and viewed by a single person - much like an arcade slot-machine or peep-show.
Moonraker is the 11th film in the James Bond series. It stars Roger Moore and is directed by Lewis Gilbert. In the poster Bond wears a spacesuit and holds a space gun, his dinner jacket can be viewed just beneath the collar. The poster is illustrated by Dan Gouzee, who designed a number of posters for Moonraker with each focusing on a particular Bondian element, such as the action, the Bond girls and the futuristic set. The film and poster were released in 1979.
Stasys Eidrigevičius is a famous Lithuanian graphic artist and painter. He created this poster for the Pan Twardowski Ballet. Based on the story of the sorcerer, Pan Twardowski, who entered a pact with the devil and fell on the moon on his way to hell. Polish folklore depicts Pan Twardowski forever standing on the moon.
Felini’s 1990 film The Voice of the Moon tells a mad and mysterious tale about a recently discharged mental patient, Ivo Salvini, who hears voices in a well - voices that often quote lunar-obsessed nineteenth century Italian poet Giacomo Leopardi.
To the Moon
By Giacomo Leopardi
I remember, gracious, graceful moon
When just a year ago, upon the hill
I came, filled with pain, to gaze at you
And you were hanging then above that woods
As you are now, and brightening everything.
Your face, however, then looked dim and trembling
To me, because I saw it through the tears
Rising to my eyes, my life was so
Unhappy, and still is, and doesn’t change
O my beloved moon. And yet it pleases me
This memory, and to feel again the time
Of my unhappiness. How good it is
In youthful years, when hope is still far-reaching
And memory does not go back so far
To go back to past things, even when those things
Are sad, and when the sadness has not ended!
New York based outsider artist, Ionel Talpazan, paints pseudo-scientific diagrams of elaborate spaceship innards that often include complex technical renderings and handwritten commentary. The painting is unique in this series because of its opacity and etherial quality. The moon-like silvery hue of the ufo appears to be speeding through space leaving a plumage of space dust in its midst. One imagines that the ship is only made visible to us by the gleaming light of our moon.
This poster was part of an advertising campaign presented by Apple in 1997. The series was for a print advertising strategy that focused on brand image rather than a specific product. It featured one historic figure with the apple logo and the slogan “Think different” in one corner with no reference to the company’s products. Some of the famous portraits include Neil Armstrong, Jim Henson, Maria Callas and Miles Davis.